SWAMPLANDIA!


Thirteen-year-old Ava Bigtree has lived her entire life at Swamplandia!, her family’s island home and gator-wrestling theme park in the Florida Everglades. But when illness fells Ava’s mother, the park’s indomitable headliner, the family is plunged into chaos; her father withdraws, her sister falls in love with a spooky character known as the Dredgeman, and her brilliant big brother, Kiwi, defects to a rival park called The World of Darkness. As Ava sets out on a mission through the magical swamps to save them all, we are drawn into a lush and bravely imagined debut that takes us to the shimmering edge of reality.

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Thirteen-year-old Ava Bigtree has lived her entire life at Swamplandia!, her family’s island home and gator-wrestling theme park in the Florida Everglades. But when illness fells Ava’s mother, the park’s indomitable headliner, the family is plunged into chaos; her father withdraws, her sister falls in love with a spooky character known as the Dredgeman, and her brilliant big brother, Kiwi, defects to a rival park called The World of Darkness. As Ava sets out on a mission through the magical swamps to save them all, we are drawn into a lush and bravely imagined debut that takes us to the shimmering edge of reality.

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  • Vintage
  • Paperback
  • July 2011
  • 416 Pages
  • 9780307276681

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About Karen Russell

Karen Russell, a native of Miami, has been featured in The New Yorker‘s debut fiction issue and on The New Yorker‘s 20 Under 40 list, and was chosen as one of Granta’s Best Young American Novelists. In 2009, she received the 5 Under 35 award from the National Book Foundation. Three of her short stories have been selected for the Best American Short Stories volumes. She is currently writer-in-residence at Bard College.

Praise

“Absolutely irresistible. . . . A suspenseful, deeply haunted book. . . . A marvel.” —The New York Times

“[Russell] has thrown the whole circus of her heart onto the page, safety nets be damned. . . . Russell has deep and true talent.”
—San Francisco Chronicle

“Vividly worded, exuberant in characterization, the novel is a wild ride. . . . This family, wrestling with their desires and demons . . . will lodge in the memories of anyone lucky enough to read Swamplandia!” —The New York Times Book Review

“The bewitching Swamplandia! is a tremendous achievement.”
—Entertainment Weekly

Discussion Questions

Now that you’ve read the novel, go back and reread the epigraph. Why do you think Russell chose this quote? 

Some of these characters first appeared in the story “Ava Wrestles the Alligator” in Russell’s collection, St. Lucy’s Home for Girls Raised by Wolves. Have you read that story? How does it compare to the novel? 

“‘Tradition is as important, kids,’ Chief Bigtree liked to say, ‘as promotional materials are expensive.’” (page 6) Did the Chief show this in his actions? Which of the Bigtree tribe members paid the most respect to tradition? 

How did Chief’s myth-making affect his children? How might things have been different if he’d been more truthful? 

On page 36, Chief introduces his theory of Carnival Darwinism, which he thought would save Swamplandia! How might it have been successful? Why wasn’t it? 

Where else does the notion of evolution come into play? 

Belief—in Carnival Darwinism, in ghosts—plays a large role in the novel. What prompts Ossie’s beliefs? Ava’s? Where is the turning point in their belief systems? 

Why do you think Ossie sees Louis and other ghosts, but never Hilola? 

What does Ava’s red alligator represent? And the melaleuca trees? 

Why do you think Russell interrupted the novel for the story of the Dredgeman’s Revelation? What exactly is the “revelation”? 

There are biblical references throughout the book, especially in the World of Darkness sections. Why does Russell include them? 

How do Kiwi’s actions affect his family? What do we learn via his sojourn on the mainland? 

On page 183, the Bird Man tells Ava, “Nobody can get to hell without assistance, kid.” How does this compare to the quote from Dante that opens the chapter? What does it tell us about his character? 

The three Bigtree children are innocent for their ages. Which one matures the most over the course of the novel? 

The Bird Man calls the ending of the Dredgeman’s Revelation “a vanishing point.” (page 221) What does he mean by that? 

Both the Bird Man and Vijay act as guides to a Bigtree sibling. How does each approach his role? 

When Ava said “I love you” to the Bird Man on page 245, what did you expect to happen as a result? 

On page 247, Ava recites a credo: “I believe the Bird Man knows a passage to the underworld. I believe that I am brave enough to do this. I have faith that we are going to rescue Ossie.” Was she right about any of this? 

Did the Bird Man believe in the underworld, or did he have an ulterior motive all along? 

How does Kiwi’s use of language change during the novel? What does it reflect? 

Like the Dredgeman, several of the Bigtrees have revelations. Whose is the most surprising? 

What is the significance of the Mama Weeds passage? What do we learn from it? 

Why doesn’t Ava ever tell anyone what the Bird Man did?